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Skateboard Diptych – Graffiti is a Crime inspired by BANKSY

Skateboard Diptych – Graffiti is a Crime inspired by BANKSY

Prix habituel €500,00 EUR
Prix habituel Prix promotionnel €500,00 EUR
Promotion Épuisé
Taxes incluses. Frais d'expédition calculés à l'étape de paiement.

n 2010 Banksy produced Forgive Us Our Trespassing, an image of a boy kneeling in prayer and asking for forgiveness  for defacing a wall. In this work an innocent boy wearing a baseball cap is featured in black and white, and in front of him is a brush and can with  paint.  In this work Banksy, represented by the boy, reveals his mixed feelings about being a graffiti artist. He acknowledges the concerns of those who see his work as vandalism, but he conveys that he ultimately means well. More details on Brandalised Skateboard Triptych – Musart on Decks – Please Forgive Me:

  • Musart on Decks, Please Forgive Me, Triptych Limited edition of 100, Skateboard Deck Sets.
  • Material: 100% Canadian/American Maple wood.
  • Measurements Mellow Concave Skateboard set of 3: (Angles) Approx. 19.25º nose and 18.5º tail with a medium center concave. (Dimensions) 32″H x 8″L x 0.5″W Inches (est.)
  • Weight: 8.14 lbs (est)
  • Additional Features: Includes Skateboard Deck Display wall mounts (x 3).
  • Photo Credits: Brandalised

About Banksy

The anonymous artist Banksy gives Street Art a major source of artistic vitality by making provocative pieces for over twenty years.
Beginning graffiti art in 1990, the artist continues to make countless art pieces around his hometown of Bristol, UK. The rise of street art in the collective consciousness of the art community has been concurrent with the rise of fame of themselves. Consequently, they are often seen as a contributing force of the movement.
Still creating brilliant works to this day, Banksy has charmed millions worldwide with its ability to blend surrealist elements. Most importantly, his satirical political commentary always points towards an aspect of society that needs improvement. The artist continuously works to this day and shows absolutely no signs of stopping – nor of revealing the artist’s identity.

 

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